Discipline: Exhibition

The beliefs and practises surrounding meat as a food resource are centuries old and still exist in the Faroe Islands. Heiðrik á Heygum presents this series of new paintings as a subtle commentary. The subjects seem far removed from the land and sea they were harvested from, but the connection between heritage and nature remains.  […]

In celebration of a year-long cultural initiative Nordic Bridges, Harbourfront Centre invites you to the opening reception of the Nordic Collaborations exhibitions: Animal Vegetable Mineral, Fuglakvæðið (The Bird Ballad) – Edward Fuglø and Eyes as Big as Plates. These exhibitions, led by Nordic and Canadian artists, will explore human nature’s relationship, connection and disassociation with […]

This installation is a commentary on the historical and ongoing resource extraction employed by Canada. Barkhouse presents “Canada’s colonial souvenir shop as a representation of the commodification of Canada’s natural landscapes.”  Mary Anne Barkhouse would like to acknowledge the support of the Canada Council for the Arts and the Ontario Arts Council. In addition, she would […]

The exhibition is a selection of recent original paintings by the Faroese artist Edward Fuglø that will be presented in a non-traditional gallery space: the 245 Queens Quay West warehouse.   Fuglakvæðið is a traditional Faroese fable from 1806, written as a ballad containing 226 verses. It is a kind of Robin Hood story, where the […]

LAYERS is a self-referential solo exhibit that contemplates the relationship between traumatic memory and the physical body. Inspired by The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma by Bessel van der Kolk, artist Olivia Mae Sinclair interprets the inner body and intrusive thoughts through textiles prints and book sculptures. […]

The exhibition is a selection of recent photographs by the duo Riitta Ikonen (Finland) and Karoline Hjorth (Norway) presented in a non-traditional gallery space: the 245 Queens Quay West warehouse.   The second component is three largescale billboards on our 235 parking pavilion that will be the product of their fieldwork in Nova Scotia in mid-September […]

Jewellery is one of the oldest cultural identifiers. Over 120,000 years ago, prehistoric humans engaged in this aesthetic, adorning their bodies with shell necklaces. Much like contemporary art, contemporary jewellery expands our view of society, culture, the world-at-large and ourselves. It differentiates itself from other craft practices because it isn’t one material. It can be […]

Nordic Collaborations Three fascinating exhibitions from Nordic and Canadian artists explore human nature’s relationship, connection and disassociation with the natural world around them. Part of Nordic Bridges, Harbourfront Centre’s year-long cultural initiative celebrating Nordic art, culture and ideas in Canada. 1. Animal Vegetable Mineral, curated by Melanie Egan 2. Fuglakvæðið (The Bird Ballad), original paintings […]

Woven Spaces – Woven Forms is a technical weaving exploration of the triple weave technique, which allows a weaver to create multiple planes of fabric simultaneously as they weave on the loom. I am interested in how this technique can be applied to speculative architecture and other three-dimensional forms by intersecting these layers with one […]

Brad Turner typifies the artistic concept of flow or “being in the zone”. It’s about focus and complete absorption in the process – full engagement of embodied knowledge and letting the material lead the way.  Turner is a maker with superb talent. He has an innate understanding of glass and exploits its characteristics to maximum […]

Patrycja Zwierzynska is a self-described process artist. In this current body of work, the material’s characteristics guide her, determining how her hands manipulate and form a series of unique organic forms. The individual elements of the neckpieces could be regarded as beads. The image of beads running through her fingers as she creates each individual […]

This exhibition comprises 11 projects designed to reflect RPBWs’ working process. The selected works present the diversity in geography and time of the architectural production. Visitors experience a world-tour of sorts that provides impressions of the firms’ DNA, connecting vastly different projects by a design approach that is driven by the specific context of each […]

Ceramic artist Bruce Cochrane evokes history, using simple clay slabs and transforming them into something that exists as both ancient and functionally modern. “The work in this exhibition reveals my ongoing interest in the structure of pottery form as it has evolved from a more traditional background. In contrast to previous work, clay’s gesture and […]

Using textiles, artist Meghan Price takes woven cloth and perspective to skew our view of a simple concept of a grid and how that interacts with our concept of scale and space. “The grid is commonly employed as a stable matrix and fixed standard, but a malleable woven grid is made when its axes are […]

Artist-in-Residence Steph Cloutier incorporates materials such as cotton paper pulp and lake water to mirror the physical place the exhibition is located and its connection to the waterfront. “Mapping Out Calm is part of my ongoing investigation in material exploration using handmade paper.  I have spent most of my life near the body of a […]

This piece, commissioned for Harbourfront Centre’s main entrance foyer will be conceived as both drawing and sculpture. Hundreds of units will be hung from single points creating a tactile setting filled with line, colour and movement that activates this passageway and gathering place. The accumulation of multiple units of formed wire, ranging in size will […]

Unseen uses conceptual photography to depict the experiences of struggle by a group of participants. Suzie Larke uses constructed imagery, digitally stitching photographs together so that they present as a single, untampered image. Using this “magical realism” to transform pictures that take every day and skew it, she creates images that interpret the subjective experience […]

Jenni-Juulia Wallinheimo-Heimonen’s work deals with disability politics, aesthetics of assistive devices and gender issues related to disabled women. Her presentation will be part working artist’s studio and part exhibition space of her most notable recent mixed media work alongside pieces created during this Artist-in-Residency.

This new wall work explores BIPOC disability activism in the arts and in media and is a tribute and celebration of Black Deaf Olympian and artist Courage Bacchus. 

Displayed throughout Harbourfront Centre’s Artport building, written sentences appear in expected and unexpected places. The sentences deal with feelings of loneliness, unbelonging and reflections on what it feels like to be marginalized, all designed to create a safe space to spark conversation and connection. 

This mosaic reflects the thriving ecology and abundance of life in places seemingly full of decay and stillness. It highlights the growth patterns, movement, beauty and commotion created by the interdependent organisms that exist all around the forest floor’s detritus. It captures a snapshot of the creatures who make homes in the undergrowth, taking time […]

Deaf and disabled people worldwide have a long history of artistic expression.   Still, Deaf and disability art is relatively unknown or is perceived as an innovation to established forms.   Not Born Yesterday, Not Going Away celebrates the long history of Deaf and disability art, connecting living artists with their chosen ancestors. It aims to create […]

Shared Terrain is a group exhibition that fosters cultural exchange between the Nordic Region and Canada. This exhibition is structured around exchange and conversation between ten creatives from distant locations who are collaborating with each other for the first time.   Artists and designers from Canada and the Nordic Region are paired in five groups, working […]